Selasa, 27 Mei 2014

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Most Talkative: Stories from the Front Lines of Pop Culture, by Andy Cohen


The man behind the Real Housewives writes about his lifelong love affair with pop culture that brought him from the suburbs of St. Louis to his own television show
From a young age, Andy Cohen knew one thing: He loved television. Not in the way that most kids do, but in an irrepressible, all-consuming, I-want-to-climb-inside-the-tube kind of way. And climb inside he did. Now presiding over Bravo's reality TV empire, he started out as an overly talkative pop culture obsessive, devoted to Charlie's Angels and All My Children and to his mother, who received daily letters from Andy at summer camp, usually reminding her to tape the soaps. In retrospect, it's hard to believe that everyone didn't know that Andy was gay; still, he remained in the closet until college. Finally out, he embarked on making a career out of his passion for television.
The journey begins with Andy interviewing his all-time idol Susan Lucci for his college newspaper and ends with him in a job where he has a hand in creating today's celebrity icons. In the witty, no-holds-barred style of his show Watch What Happens Live, Andy tells tales of absurd mishaps during his ten years at CBS News, hilarious encounters with the heroes and heroines of his youth, and the real stories behind The Real Housewives. Dishy, funny, and full of heart, Most Talkative provides a one-of-a-kind glimpse into the world of television, from a fan who grew up watching the screen and is now inside it, both making shows and hosting his own.

  • Sales Rank: #47267 in Books
  • Brand: Cohen, Andy
  • Published on: 2013-04-02
  • Released on: 2013-04-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.21" h x .88" w x 5.49" l, .57 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Funny read
  • Captivating stories

Review

"A wonderfully fun, funny and inspirational journey, peppered with colorful, crisis prone women. I loved it! "Most Talkative" is most read-ative!"--Amy Sedaris, author of "I Like You" and "Simple Times"

"Andy Cohen's new book "Most Talkative" is laugh-out-loud funny. Anyone who likes pop culture will really like this book. It's a perfect read for this summer."--Anderson Cooper

"Ladies, put "50 Shades" aside for Andy Cohen's "Most Talkative", a book about friendship, family, and fun. His coming out story will break your heart."--Jessica Seinfeld

""Most Talkative" is Andy Cohen's story from starting out as an intern for CBS news and working his way up the ranks through programming and then eventually becoming a personality himself. He's a really funny writer!"--Kelly Ripa

"A wonderfully fun, funny and inspirational journey, peppered with colorful, crisis prone women. I loved it! "Most Talkative" is most read-ative!"--Amy Sedaris, author of "I Like You" and "Simple Times"

"[Cohen] is funny as Augusten Burroughs used to be...["Most Talkative"] requires zero interest in 'Top Chef, ' 'Real Housewives' or anything else on Bravo to find him highly entertaining company through this joke-filled joy ride."--"The New York Times"

"Andy Cohen's new book "Most Talkative" is laugh-out-loud funny. Anyone who likes pop culture will really like this book. It's a perfect read for this summer."--Anderson Cooper

"Ladies, put "50 Shades" aside for Andy Cohen's "Most Talkative", a book about friendship, family, and fun. His coming out story will break your heart."--Jessica Seinfeld

""Most Talkative" is Andy Cohen's story from starting out as an intern for CBS news and working his way up the ranks through programming and then eventually becoming a personality himself. He's a really funny writer!"--Kelly Ripa

"A wonderfully fun, funny and inspirational journey, peppered with colorful, crisis prone women. I loved it! "Most Talkative" is most read-ative!"--Amy Sedaris, author of "I Like You" and "Simple Times"

About the Author

Andy Cohen is Bravo's executive vice president of Development and Talent, responsible for overseeing the production of such hits as Top Chef and The Real Housewives franchises. In addition, Cohen is the host and executive producer of Watch What Happens Live, Bravo's late-night, interactive talk show. He also hosts the network's reunion specials. He's won an Emmy and two Peabody Awards for his work, and he lives in New York City.

Excerpt. © Reprinted by permission. All rights reserved.

My Date with Susan Lucci

I'm standing on the corner of Sixty-seventh and Columbus Avenue in Manhattan waiting for a meeting that will change my life. It's December 11, 1987. I'm nineteen years old and about to have my first encounter with a celebrity. Not just any celebrity. The Queen of Daytime, and my first diva: Susan Lucci.

I fell in love with Erica Kane the summer before my freshman year of high school. Like all red-blooded teen American boys, I'd come home from water polo practice and eat a box of Entenmann's Pop'Ems donut holes in front of the TV while obsessively fawning over All My Children and Erica, her clothes, and her narcissistic attitude. My sister Em and I even got my mom into the show. Which was a coup because Evelyn Cohen doesn't suffer fools: She gets the New York Times—not Soap Opera Digest—delivered to our house in St. Louis. And in general, Jewish women don't tend to sit around watching soaps. Don't ask me why.

Dinner "conversation" at the Cohens' meant my sister, mom, and I relaying in brutal detail the day's events in a state of amplified hysteria, while my father listened to his own smooth jazz station in his head. After dinner, my dad would rejoin the living, and I would inevitably hear the three words I dreaded more than anything else: "Wanna play catch?"

No, I did not want to play catch. Ever.

I would turn to my mom for a reprieve, who would instead give me a look that was simultaneously threatening and begging. "Just humor your father and go TOSS THE DAMN BALL!" I got out of it most times by just making a run for it and sliding into my home base, in front of the TV.

Susan Lucci was the biggest star in the daytime galaxy, and she served it up hot and fresh and chic five days a week. Before there was Joan Collins's Alexis Morrell Carrington Colby Dexter Rowan on Dynasty, there was Erica Kane Martin Brent Cudahy Chandler Montgomery Montgomery Chandler Marick Marick Montgomery on All My Children.

A few months earlier, the professor in my Boston University news writing and reporting class assigned us a feature story and challenged us to nab an interview with one of our idols. He said if we got someone good, we could get our article published in the BU newspaper. Finally, my ticket to something big—a byline—and a chance to meet and interview one of my two idols: Susan Lucci or Sam Donaldson.

I didn't say Sam Donaldson just to impress my professor, either. I really loved him. During the Reagan years, he was the only member of the White House press corps who actually asked the man a direct question and held him accountable. (To this day, when I'm interviewing someone, I try to channel Sam. Of course, today my hardest-hitting interviews are usually with Real Housewives.) My admiration for Donaldson aside, when you give yourself two celebrity options on an assignment like this, you can bet that the one without the weird hair system is going to win every time.

I wrote Lucci's publicist an impassioned declaration of love, which secured me an interview, which was then postponed . . . multiple times . . . until this day. Fearful that I was one more postponement away from cancellation, I woke up at 7 a.m. and began calling that publicist's office to nail down the details and get my instructions for the day. All I knew was that I was supposed to meet Susan Lucci. The rest was a mystery, and I wanted it solved. I dialed and dialed and the phone rang and rang. By 9 a.m. I was convinced this interview, like the others, wasn't going to happen. But I was already in New York City! I couldn't go home empty-handed. Ruefully, I decided that Sam Donaldson's publicist never would have blown me off, if Sam Donaldson indeed even had a publicist. Probably not. Sam Donaldson was too down-to-earth, and there's no way a publicist would have just let that hair thing go.

Three hours after I'd begun, I deliberately punched in the now memorized sequence of numbers in a last-ditch effort. One ring. Two rings. Three, four, five, six, seven . . . and then someone, an assistant I guess, finally picked up. I was told to report to the ABC studios on the Upper West Side at 12:30. And that's how I learned that people in New York don't start working until 10 a.m. How cushy.

I get momentarily dizzy when I see the marquee that says, "In Pine Valley, Anything Can Happen." Of course, I've arrived outside the studio an hour early wearing bar mitzvah attire: button-down, paisley tie, sport jacket, and a trench coat that could have been from the Mini-Dan Rather Collection. My hair is more awkward than normal, as I'm in the midst of growing it out to Deadhead perfection. I tamed the Jewfro when I woke up, but its stability is threatened by the humidity of an unseasonably warm December day.

But I haven't shown up with sixty minutes to spare just to stand around and gawk like a tourist. I have something else on my agenda. In addition to the Lucci interview, I'm working on a creative writing paper examining whether Pine Valley is an accurate representation of society. (Just the sort of deep topic my parents expected me to be exploring when they signed my enormous BU tuition check.) I've brought my tape recorder to nab on-the-street interviews with actors from the show.

Occasionally a Pine Valley "resident" walks out of the stage door and I first internally freak out ("OMG IT'S CLIFF!"), then attack them with my recorder. I see myself as a Sam Donaldson type; they probably see me as a John Hinckley Jr. type.

"IS PINE VALLEY AN ACCURATE REFLECTION OF SOCIETY?!" I yell at every familiar face in a high-pitched panic. They are all initially terrified and must take a moment to process what is happening: overly hyper kid with tape recorder and 'fro yelling stupid question. Once they realize I'm probably not going to shoot any of them to impress Jodie Foster, I get quick interviews with "Donna," "Cliff," "Ross," "Travis" (who has dried shaving cream on his ear), and even the man who plays Palmer's butler, "Jasper." Their answers are gripping—"Not really." "No." "Maybe."

At 12:30, euphoric after my journalistic ramp-up to the main event, I walk into the building and announce that I'm there as a guest of Ms. Lucci. "Susan Lucci," I say, triumphantly. "I am Andrew Cohen and I am here to see Susan Lucci."

The guard nonchalantly mumbles into a microphone, and his voice crackles over a loudspeaker, "Susan Lucci, guest in the lobby." I am stunned at his informality and offended by his lack of respect when summoning the actress who plays Erica Kane.

I wait in terror, convinced that something, yet again, will go awry: I've gotten the day wrong, or Ms. Lucci's changed her mind. Or it could go exactly as I'd imagined—a minion would appear to spirit me away to Erica Kane's penthouse lair. After a couple of minutes, the double doors open, and she glides toward me. Susan Lucci. Radiant. Confident. Really, really small. Like, child-sized, even. My moment of disconcertion at how this person who is larger than life to me could be so alarmingly pint-sized is short-lived, as she opens her mouth to speak.

"You must be Andrew," she coos.

She is wearing a red knit dress, red hoop earrings, black heels, a full-length mink coat, and massive sunglasses. Her hair is teased three stories high: a masterpiece of eighties glamour and engineering.

I finally stammer out something that sounds like "HI!"

"Well, I hope you like Mexican food, Andrew, because I'm taking you to lunch," she purrs.

In fact, I hate Mexican food. I have a lifelong aversion to beans, and I wanted to see the studio. On the other hand: Susan Lucci and I are going to lunch? On a date? ¡Me gusta!

"Oh my god, I looooove Mexican food!" I scream.

The publicist shows up just as we're walking out of the building. She's tall, wearing a butter-leather jacket, with frosted hair pulled back, a smoker's voice, and an air of cosmopolitan authority. We walk a few blocks to a restaurant called Santa Fe. On the way, some nutbag on the street asks Lucci if she received his card.

"Your card?" she asks. She seems concerned. "Oh nooo, I didn't! I'll check with the guard," she says very sincerely, turning to me with a wink. She and I know she'll not be checking with the guard. I'm in on the joke with Susan—on the inside of inside. I marvel at her ability to be tolerant and kind with this weirdo, making him feel as if he really matters to her, treating him as nicely as she's treating me. As we get further down the street, a guy in a truck yells, "Erica Kane! We love you!" She waves. I imagine little cartoon birds fluttering down to pick up the hem of her mink coat so it doesn't drag on the ground.

At the restaurant, we sit down at the table, and Susan and her publicist start talking quietly about a photo shoot that's coming up, and Susan says that ABC "has finally gotten it right." Susan is happy. I can't believe how super-confidential their convo feels. There is a business behind this soap I've spent my life ogling from my seat on a sofa in the middle of the country, and it is fascinating. I zero in on what Susan said about ABC "finally getting it right." What was wrong before? I wonder. Was Susan unhappy with ABC? Perhaps, as our friendship deepens, she will learn that she can trust me enough to confide in me regarding these matters. Strictly off the record, of course.

By the time they remember I'm there and turn to me, I'm convinced that my hair has expanded at least an inch in diameter since Sixty-seventh Street.

They ask me about my major, my goals. I am absolutely bullish on my future, and tell them awwwwlllll about it, while they sit there, nodding patiently, smiling patiently, and agreeing patiently. I tell them that I'm a sophomore Broadcast Journalism major and I want to be the next Dan Rather. Then, hearing myself say that and realizing that Dan Rather barely ever goes through an interview blathering about his hopes and dreams, I abruptly start reading from a list of questions I've prepared about Erica Kane:

"Is Erica mo...

Most helpful customer reviews

95 of 104 people found the following review helpful.
Engaging - wonderfully written
By KH3483
I'm almost halfway through the book, but have to share for those "on the fence" this is a very engaging wonderfully written book. Andy Cohen knows how to tell a story, and the most important story, his life. He spares readers the chronological boredom laid out in 99% of other autobiographies. The book reads more like he's a new friend you've met, and he's telling you stories about himself over a series of weekly lunch dates.

You're drawn in immediately if pop culture is one of your interests. I suspect any reader even slightly interested in Andy or any of his efforts would experience the same result. He's honest, he puts his feelings out there, and if something is wrong to him, he says so. The instinct for most people writing a book of this nature would be to "tread lightly" or buckle under so as not to incur controversy. Cohen sticks to what is important, and conveying his feelings about matters that hurt him emotionally are wide open territory he guides the reader through skillfully and in appearance, effortlessly.

He admits his mistakes and he puts everything out there. It truly is like a series of interesting conversations with a brand new friend... one that won't stop talking. And you won't want him to stop, because it's stuff you always wanted to know.

49 of 53 people found the following review helpful.
It's Like Finding An Extra Order of Fries In Your Bag...
By L. Burt
This book is SOOO MUCH FUN! It feels like you called up your best friend, Andy Cohen, who tells you about his day...only he's hilarious, his day involves famous people, and before you know it, you've talked for five hours. While a lot of moms that I know were reading a certain erotic fiction book on Mother's Day, part of my Mother's Day present was getting to read aloud hysterical excerpts to my husband ALL DAY from MOST TALKATIVE, while eating a Confetti Cake Blizzard. Best. Mother's Day. Ever.

38 of 45 people found the following review helpful.
Bravo, Andy!
By SouthernMama
I pre-ordered Andy's book as soon as I found out its release date. I got it yesterday, and I could not put it down! I'm a fan of all things Bravo-related, but I absolutely love Andy. If possible, I love him even more after reading his book. I felt like I was sitting down, reminiscing with an old friend. I laughed, I cried (his coming out story was so touching), and I found myself totally engrossed with the story of how he came to be the successful producer he is today. If you're a Housewives fan, there's plenty of juicy tidbits you don't see or hear on the shows, and even if you're not a Housewives fan, you'll enjoy the stories about the many celebrities he's worked with or encountered throughout his career. He also shared many pictures that had me laughing (especially his ponytail days...) Bravo, Andy -- you should be proud!

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Competitive Shooting: Techniques and Training for Rifle, Pistol, and Running Game Target Shooting, by A.A. Yur'yev

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Competitive Shooting: Techniques and Training for Rifle, Pistol, and Running Game Target Shooting, by A.A. Yur'yev

An encyclopedic resume of the principles and practices involved with training and equipping world-class shooting champions. English-language translation by NRA.

  • Sales Rank: #1200392 in Books
  • Published on: 1985-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.50" w x 1.25" l,
  • Binding: Hardcover
  • 399 pages

Most helpful customer reviews

13 of 14 people found the following review helpful.
Astonishing depth and scope
By A Customer
You are probably not an educated shooter if you haven't read this book. The chapters on biomechanics, vision, and technique feature some of the best information available for shooters. The author devotes nearly 40 pages to the chapter "aiming" and 35 pages to "releasing the trigger." In a field that has been inundated with bad science, fallacious reasoning, and dubious assumptions, COMPETITIVE SHOOTING is a breath of fresh air. A little dry and "textbookish," but the information content is incredible.

6 of 6 people found the following review helpful.
Great book for the beginning shooter
By A Customer
This is the book that got me into competitive shooting. It has all of the information that you would need to get started. I highly recommend it.

31 of 33 people found the following review helpful.
For the SERIOUS competitor in Olympic events.
By Mark Polansky, Sr
This book was written by one of the most famous and successful Soviet shooting coaches and is geared only towards winning the Olympic shooting events. If you want to win at Olympic Rapid Fire pistol, Free Pistol, air pistol/rifle, or Smallbore Rifle, this is THE BOOK to buy. On the other hand, if you are into IPSC, IDPA, Pins, Action Pistol, Cowboy, SASS, Steel, or PPC, then this is probably not the book to buy, though some of the principles will apply. Bullseye shooters will benefit, but those handgunners shooting most of the American sports will be disappointed. Rifle shooters of most disciplines will find this book very useful, and the book is evenly divided between rifle and pistol shooting. The whole focus is on a person who already knows the basics of breathing, trigger control, stance, etc., and wants to hone his physical and mental skills to perfection. At this level, the mental conditioning is nearly equal to the physical requirements. Time tested (and proven) methods of rhythmic breathing, stances that allow for maximum muscle relaxation, eye exercises, and many other esoteric techniques are used. This being said, I used the techniques, practiced 1500 rounds a week for 6 months, and ended up winning a Bronze Medal at the '91 European Action Pistol Championship match in Heidelberg, Germany. So, the book has some applications for all shooters, but is geared totally toward Olympic events. If you are not a national or world class competitor, and don't aspire to be, the book is probably not worth the price. If you are, it probably is. Good luck and DVC.

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Sabtu, 24 Mei 2014

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Playhouse Creatures (Acting Edition), by April De Angelis

  • Sales Rank: #1609482 in Books
  • Published on: 1994-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .17" w x 5.51" l, .23 pounds
  • Binding: Paperback
  • 80 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent and moving play
By Steven W. Bouler
We're just finishing a production of this play and I can tell you first hand what a joy this play has been for us. It is a moving, funny, profound, scary, and uplifting tale of the first actresses on the English stage in the 1660s. Humorous and tragic, this play contains some of the most powerful scenes I've encountered in a very long time. Read it, see it, do it.

You won't be disappointed.

See all 1 customer reviews...

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Rabu, 21 Mei 2014

[Q586.Ebook] PDF Ebook Electronic Music: 25 Mixing Tips for Modern Electronic Music Production, by Roy Wilkenfeld

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Electronic Music: 25 Mixing Tips for Modern Electronic Music Production, by Roy Wilkenfeld

Discover 25 hand-picked mixing tricks that you can use to gain a cutting edge in your electronic music productions and mixes
Discounted Price of $2.99! Regularly priced at $5.99.


Take your mixes to a whole new level
Take advantage of road-tested mixing techniques used by electronic music professionals and inject them into your music. Get an exclusive peek into 25 definite mixing tricks that will make your music sound better. Learn about five different categories of mixing: Mix Essentials, Mix Clarity, Drum Sweetening, Special Stereo Width and Advanced Mixing Techniques, each category containing 5 different tips!


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  • Easy-to-follow, Straight to the point -guide
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Here's a preview of what you'll learn...
  • Proper Gain Staging
  • Achieve a solid mixer fader balance
  • Musical Side Chain Compression
  • EQ for Clarity
  • Kick Drum Tuning and Processing
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  • Sales Rank: #93724 in eBooks
  • Published on: 2015-07-03
  • Released on: 2015-07-03
  • Format: Kindle eBook

About the Author
Hi! My name is Roy Wilkenfeld.

I love to write about music production and everything surrounding it: mixing, creativity, techniques. I like to call myself a passionate music production addict!

I hope you enjoy my books and receive information from them that you can take further in your musical and creative journeys.

Thanks for stopping by :) -Roy

Most helpful customer reviews

4 of 4 people found the following review helpful.
As if I had a crash course about electronic mixing and got a perfect score at the comprehension exam
By JOHNNY DRESDON
In the church where I attend service regularly, we recently purchased a mixer- basically to mix sound quality, but no one is well equipped to do the right mixing. In most times, despite the several attempts to create a great sound in the stereo field, we just couldn't get it right. Fortunately, I came across this book and started looking for answers on how I could help solve the issue at hand. It was kind of desperate.
At first, because I literally have no clue about mixing, my assumption was -this is going to be very hard. To my surprise, IT IS NOT HARD AT ALL. Mind you, the writing style is so simple, in just a snap, I was blown away how my mind was switched on a 360 degree and end up saying, I can break a leg on this one.
I would like to quote the author, that mixing is like building a house. You have to start brick by brick and choosing the right element that is important, rather than boosting all levels up to prevent a disaster- is what it's all about.
As if I had a crash course about electronic mixing and got a perfect score at the comprehension exam- that's the feeling I got after reading this. No exaggeration. It was as if, a fishbone was taken off my throat. Finally, I can do something for the church.
And because I highly recommend this book for the people who wanted help like me, here are the things that made this book worth 5 stars= easy to read writing construction, the explanation technique is downright steady and gradually increasing its level- you won't get choked up with information, great pro-tips- quite insightful, and a lot of HOW TO's including how to do complementary EQ'ing, how to dash off bad frequencies and more. There are topics that seem complicated to execute for me such as chain , parallel and other compressions, but I believe this is something that most musicians and mixers could relate- I am a newbie here, so basically although I understand that compression is the secret tool for mixing- I still have a lot to learn to make a kick-ass effects in the future or perhaps take my nook and literally read and do demo immediately after each page to get the feel of it. Oh before I forget- the claps and snares smashing reduction sound is awesome. Too much of the clapper is irritating, so the information I got is divine.

3 of 3 people found the following review helpful.
Bringing my music to a new level
By C M
I've always had a passion for producing my own, unique music, however I've never went out of my comfort zone. It's just recently that I've been looking to push myself and really improve the quality of the mixes I create. So after some research I decided to get this book as it looked promising. And I definitely wasn't disappointed.

It is obvious that the author knows what they are talking about as a lot of accurate, helpful information is given, as well as the book being very well written. Clear instructions are there to follow so I knew exactly what to do.

I especially enjoyed the chapters on advanced stereo effects and musical side chain compression, which were all explained in a manner I understood. Overall, this guide really helped me learn more about how to improve my music, and after using what I've learned I can really hear the difference. I definitely recommend.

2 of 2 people found the following review helpful.
Learn art of mixing!
By Donovan Lou
Mixing music is a creative art form. I wanted to learn it madly. But, I am not sure how to begin. When I saw this book in Amazon Kindle Store, I instantly downloaded it. In this book, you will learn about the essentials of mixing, clarifying a mix, processing your drum samples, creating stereo width and advanced mixing techniques that could give your mixes that polished, professional touch. very useful for the beginners in the mixing field.

See all 24 customer reviews...

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Senin, 19 Mei 2014

[Q332.Ebook] Download PDF Brick: A World History, by James W. P. Campbell, William Pryce

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Brick: A World History, by James W. P. Campbell, William Pryce

This totally original architecture bookthe first comprehensive work on brick, the essential building materialranges over every culture throughout history. It follows the story of brick from 5,000 BC to the twenty-first century, from the vast baths and basilicas of ancient Rome, through the wonders of Gothic brick in Germany, Buddhist shrines in Burma, and Mughal mosques in Iran, to the modern revival of brick in the hands of architects like Gaudi. Marvelously illustrated with specially taken photographs, the book is at once an historical account of how bricks have been employed by architects of every period, a technical survey of brickmaking and bricklaying, and an essay in architectural and cultural history. More than one hundred themes are covered, from bricks in ancient Egypt to their distinctive use by Louis Kahn, Alvar Aalto, and Renzo Piano. Works of engineeringrailway tunnels, viaducts, dams, and bridgesare given prominence alongside the great cathedrals and country houses, castles and temples, testifying to the versatility and importance of brick and brickwork. An illustrated glossary explains all technical terms and the various construction and bonding methods in use. The book will prove indispensable to anyone professionally involved in, studying, or simply interested in architecture, design, and materials. Over 600 illustrations, 570 in color.

  • Sales Rank: #907568 in Books
  • Published on: 2003-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.50" h x 1.40" w x 9.90" l, 5.13 pounds
  • Binding: Hardcover
  • 320 pages

From Publishers Weekly
Proceeding chronologically from the first Neolithic "bun bricks" to relatively high-tech contemporary forms, Cambridge University art historian Campbell and documentary photographer Pryce reveal the building blocks of the Coliseum, the Taj Mahal, the Florence Cathedral and the Chrysler Building, as well as more humble abodes. Pryce's photos are stunning, making up the bulk of the 600 illustrations here (570 in color) and miraculously capturing the outlines of each brick, even in such massive structures as the Great Mosque in Isfahan, Iran, or the beautiful Buddhist temples of Pagan in Myanmar. He also documents brickmaking in the Bulmer Brickworks in Suffolk, England, as a worker moulds, "strikes," "drops" and dusts large, ochre, rectangular bricks. The photos, as well as excellent period technical illustrations, are laid out in compelling two-page spreads, each with subheading (e.g., "Petrus Cuypers and the Gothic Revival in Holland") in this 9.75" 12.5" book, and are matched by Campbell's clear and intense historiography. In Sumerian times, he notes, offerings of food and drink were presented to "the brick god," who was "represented in the ritual by the first brick." More recently, mortar for the foundations of the Hagia Sophia in Istanbul was mixed with "a broth of barley and bark of elm" and sacred relics, accompanied by prayers, placed between every 12 bricks. A lack of detail on Chinese use of brick, particularly early brickwork, is a drawback, but the Islamic world is well-covered, and Campbell's refreshing focus on the brickmakers (often family-run businesses) and bricklayers themselves shows how techniques were kept secret to prevent early forms of industrial espionage, now posing a challenge to contemporary scholars trying to figure out how bricks were engineered even as late as the Victorian era.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
An ur-building material, brick is astonishingly versatile and often stunning. Art historian Campbell and architect and photographer Pryce present the first comprehensive international study of the technology and aesthetics of the humble but endlessly useful brick in a volume meritorious for its spectacular color photographs, nearly 600 in number, and the panoramic scope of its text. The fired brick was first invented in Neolithic Jericho, then taken up with great alacrity and skill in Mesopotamia and Egypt and by the ancient Greeks and Romans. Moving slowly forward in time, Campbell and Bryce chart the rapid evolution of brick making and bricklaying, explicating such marvels as the Colosseum and the Great Wall of China. Religious ardor in the Middle Ages inspired the construction of incredibly elaborate brick cathedrals, intricately patterned mosques, and such beautiful Asian Buddhist structures as Pagan, Burma, a brick dream consisting of several thousand temples and stupas. From castles to schools to New York's Chrysler Building, Campbell and Pryce explicate premier examples of engineering ingenuity and architectural grace, all based on the ubiquitous brick. Donna Seaman
Copyright © American Library Association. All rights reserved

About the Author
James W. P. Campbell is Fellow in Architecture and History of Art, Queens’ College, Cambridge, and Director of Conservation with Finch Forman Architects, London.

Will Pryce is an award-winning photographer who originally trained as an architect at Cambridge University and the Royal College of Art, and photojournalism at the London College of Printing. His books include Big Shed, World Architecture: The Masterworks, and, with James W. P. Campbell, the widely acclaimed Brick: A World History.

Most helpful customer reviews

2 of 2 people found the following review helpful.
BRICK
By Deb
All in all it's just another brick in the wall ... NOT! This book is fabulous. I bought it for my dad who has been a bricklayer since he was a teenager. He is fascinated by the history. The photos are also magnificent. A very fine read!

9 of 9 people found the following review helpful.
Particularly nice book design and photography
By misterbeets
The author writes easily, seems to know everything, and has a completely unpretentious style. He also chose his subjects well, with many less-well-known examples and only a few icons. As a historian, he occasionaly suffers from their tendency to document, say, the names and ruling periods of the Middle Ages Persian kings before getting to the interesting parts about the use of brick in that era. The photographs are all similar to the one on the cover--deep colors and bright sunlight--and their consistency adds a nice touch. The organization of the book was good too, presenting the subject in manageable bites.

1 of 1 people found the following review helpful.
A terrific book!
By e/architect
This book is a visual feast. It is full of exemplary brick masonry examples from all over the world, and is well worth the price.

See all 11 customer reviews...

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Jumat, 09 Mei 2014

[J244.Ebook] Download Particles and Fundamental Interactions: An Introduction to Particle Physics (Undergraduate Lecture Notes in Physics), by Sylvie Braibant,

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Particles and Fundamental Interactions: An Introduction to Particle Physics (Undergraduate Lecture Notes in Physics), by Sylvie Braibant,

The book provides theoretical and phenomenological insights on the structure of matter, presenting concepts and features of elementary particle physics and fundamental aspects of nuclear physics.
Starting with the basics (nomenclature, classification, acceleration techniques, detection of elementary particles), the properties of fundamental interactions (electromagnetic, weak and strong) are introduced with a mathematical formalism suited to undergraduate students. Some experimental results (the discovery of neutral currents and of the W± and Z0 bosons; the quark structure observed using deep inelastic scattering experiments) show the necessity of an evolution of the formalism. This motivates a more detailed description of the weak and strong interactions, of the Standard Model of the microcosm with its experimental tests, and of the Higgs mechanism. The open problems in the Standard Model of the microcosm and macrocosm are presented at the end of the book. For example, the CP violation currently measured does not explain the matter­-antimatter asymmetry of the observable universe; the neutrino oscillations and the estimated amount of cosmological dark matter seem to require new physics beyond the Standard Model. A list of other introductory texts, work reviews and some specialized publications is reported in the bibliography.

Translation from the Italian Language Edition
"Particelle e interazioni fondamentali" by Sylvie Braibant, Giorgio Giacomelli, and Maurizio Spurio
Copyright © Springer-Verlag Italia, 2009
Springer-Verlag Italia is part of Springer Science+Business Media
All Rights Reserved

  • Sales Rank: #2872615 in Books
  • Brand: Brand: Springer
  • Published on: 2011-11-15
  • Original language: Italian
  • Number of items: 1
  • Dimensions: 9.21" h x 1.03" w x 6.14" l, 1.55 pounds
  • Binding: Paperback
  • 498 pages
Features
  • Used Book in Good Condition

From the Back Cover

This book aims to provide the basis of theoretical foundation and phenomenological knowledge of the structure of matter at the subatomic level. It starts by presenting the general concepts at the simplest level and does not require previous knowledge of the field, except for the basic quantum mechanics. The readers are gradually introduced to the increasingly more advanced topics, so that this text can accompany students all the way to their graduate and doctoral studies in experimental high-energy physics.
Special emphasis is placed on experimental and phenomenological aspects of the field and how measurements and theory interplay in the development of particle physics. The book is based on the authors’ undergraduate and graduate lecture courses at the University of Bologna, Italy.

About the Author
Giorgio M. Giacomelli became full professor of Physics in 1971. He is (co)author of > 650 publications in scientific journals and over 350 reports and conference proceedings. He supervised 115 Laurea Theses, 30 PhD Theses.  He received prizes from the Italian Physical Society, the University of Bologna and from the A. Della Riccia Foundation. He is “Marchigiano of the year 2006”. In 1981 the Institute for Scientific Information (ISI) listed him in the “1000 Contemporary Scientists Most-Cited in 1969-78". He is presently in the Highly Cited list of ISI.
He was Director of the Institute of Physics, of the Department of Physics (1975-88) and President of the Laurea in Physics Committee of the University of Bologna. He was a member of many national and international scientific committees (SPSC, LEPC and ECFA at CERN, HEP at Fermilab, of INFN, of the ENI foundation, of CTS of ENEA, bioethics of CNR, of the Galvani Committee). Presently he is Emeritus Professor at the University of Bologna, collaborator of INFN and CERN, Fellow of the American Physical Society, Socio Benemerito of the Italian Physical Society, member of the European Physical Society, of the Accademia delle Scienze di Bologna, of the New York Academy of Sciences, and the Accademia Teatina. He is one of the Editors of the Journal “Astroparticle Physics”.

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0 of 0 people found the following review helpful.
Excellent primer - looking forward to an expanded 2nd edition
By James
Excellent for putting most of particle physics together. But relativity and quantum physics are not included in particle physics presented. So I am not sure of the completeness of the material. Instantaneous properties, gravity, source of fringe patterns ... are not related to the fundamental interactions so there definitely room for another edition to be written.

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STRING THEORY IN A NUTSHELL, by KIRITSIS

  • Published on: 2013-07-06
  • Original language: English
  • Binding: Paperback

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Manhattan Transfer, by dos passos

355 pages

  • Sales Rank: #1073254 in Books
  • Published on: 1953
  • Number of items: 1
  • Binding: Hardcover

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36 of 36 people found the following review helpful.
An under read classic.
By choiceweb0pen0
Within the first few pages, it becomes apparent quickly that Manhattan Transfer is not a traditional novel. Dos Passos presents a collage of New York City in the 1920's that even 75 years later describes well the modern city. His technique of jumping from character to character as they interact with each other within the city as some succeed and others fail provides a bleak, yet at the same time oddly wonderful reading. His injection of newspaper ads, songs, and advertisements captures so well the bustle of large cities. I can only wonder why he is often left out of the "canon" of American Modernists. It does take adjustment to read Manhattan Transfer, but you will be more than rewarded for your efforts.

2 of 2 people found the following review helpful.
This book helped create "Modernism" in literature...but it's also a good read
By Reading as Much as I Can
This book is an excellent read, but it does highlight some of the problems with the early phase of so-called "Modern" writing. Passos is trying hard (perhaps too hard) to describe everything going on around him over a period of several years. That's a hefty task for a novelist and no one has done it much better (except Leo Tolstoi).

Unlike Tolstoi, though, John Dos Passos never gets very far into the minds and motivations of his characters. Like Tolstoi, he has a cast of hundreds, but he is not as deft at giving even some of the recurring characters the realistic motivations and sympathetic treatment that Tolstoi does. One does want to like or feel something for *some* of the characters in a novel. Maybe we want to dislike or even hate an occasional character. It's probably part of Passos's scheme to have none of that sort of thing in Manhattan, but he does early on introduce the rather sympathetic character of Ed. Red herring, really. Ed will disappear into Manhattan, his concerns and doings of only tangential importance within another 100 pages. I'm sure that literary critics have created an industry of trying to connect Ellen/Elaine's doings up with Ed's, somehow, but really, Ed is just an average guy with an average baby in an average setting in early 20th century Manhattan.

Upon rereading some of it, I get the feeling that Passos did not know where most of his characters were going or whether they would turn up again in the book. It seems as if he knew he needed some of them to recur, to make it a novel rather than a very extended book of vignettes and sketches. He does sketches very well. Most of us would be delighted to find ourselves able to write such sketches, but, like John Dos Passos, even if we could, we would not find a publisher. We could blog our sketches, and it struck me that Passos is something like an early blogger. Lots of impressionistic, day-to-day observations, strung together mostly by the fact that one person is writing them down. The sudden development of dramatic plot lines (and their very rapid denouements) means that you can't just start reading near the back and "get" the story (unlike a blog), but that's one of the few things that makes it different from blogging.

We have lots of great observers out there in the cyberworld, observing and writing. John Dos Passos took a chance when he decided to make a living making these kinds of observations. We are indebted to him, forever, for these glimpses of the World's Second Metropolis and for those glimpses, alone, this book is more than worthwhile. Whether you love Manhattan, as I do, or you hate it, you will still enjoy much of this book. You'll also likely find yourself wanting to skim certain sections, just as you'd wish the person in the next cubicle would stop some irritating habit, you'll find some of the characters irritating. They are, however, quite real in their ability to irritate and that's something to accomplish. He's far deeper into personalities, personality types and dialects than, say, Hemingway.

This book also set up many decades of further fictions about New York City, so in that regard, it's also a must read.

3 of 3 people found the following review helpful.
Lots of energy but fades into history like the buggy whip
By Digital Rights
Ask anyone about the 1920's and they may think Jazz Age, Prohibition, Babe Ruth, Hemingway, Fitzgerald maybe Faulkner. Only a minority would throw John Dos Passos into that ring but he was in fact a giant of the time. His "USA Trilogy" and "Manhattan Transfer" were recognized and awarded the same acclaim as writers we know so much better today.

Hemingway wrote that "Manhattan Transfer" finally gave the world the real picture of New York City. Alfred Döblin was deeply influenced by Dos Passos's style. He ran with the same crowd. Drank and partied with them all and yet almost a hundred years later his own fame is far eclipsed by so many others. Why?

A great novel needs great characters and a central theme or conflict. Dos Passos was writing about a time and place; New York City in the first part of the 20 century. His focus is on atmosphere. He wants you to feel the city through it's accents, bustle, the frustrations of daily life, the food and drink and the movement of cars, taxis, subways, street cars and boats of every kind. Through all that he wants to convey the energy that's bursting in every direction but he also wants to expose the contradictions of daily life; war veterans not getting their bonuses, women yearning for more opportunity, backstreet abortions, failed marriages, banks and businesses and later drinking during prohibition.

Characters come in go very briefly, re-appearing later. There are so many that it takes perhaps the first half of the book to keep it straight. For me it was hard to follow let alone develop an empathy or curiosity for them. It felt very flat. He uses major events of the day as a timeline but aside from war and prohibition much of those references are obscure and thus one tends to lose a sense of time passing that he was likely successfully conveying to his contemporaries.

My conclusion is that it's too ambitious and there is too little for the modern reader to grasp. By doing so much there are interesting points and poignant scenes. But too often I was flipping back to see if I had already jumped to yet another vignette and double checking if he'd jumped a few weeks, months or years. Pulling this out of a time capsule I enjoyed this as a 1925 novel of early New York but I wonder if it were the book that I'd want to say best depicted New York at that time and I'd conclude that other works have surpassed it.

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